The Ultimate Guide to entertainment
The Ultimate Guide to entertainment
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Contra dancers at a ball in New Hampshire, United States (silent video) The many forms of dance provide entertainment for all age groups and cultures. Dance can be serious in tone, such as when it is used to express a culture's history or important stories; it may be provocative; or it may put in the service of comedy.
Tinashe thought she might have hit on her hands with “Nasty” — but never expected it become such a viral success. The R&B and pop star spoke with the AP’s Gary Gerard Hamilton about her new album “Quantum Baby,” how she now defines success, and maintaining career momentum over the years through changes in the the music industry.
The power of stories to entertain is evident in one of the most famous ones – Scheherazade – a story in the Persian professional storytelling tradition, of a woman who saves her own life by telling stories.[94][95][96] The connections between the different types of entertainment are shown by the way that stories like this inspire a retelling in another medium, such as music, film or games.
M. Night Shyamalan has been at least partly self-financing his films since 2015’s “The Visit,” risking his own money on box office success. His latest is “Trap,” starring Josh Hartnett as a father with a secret and Shyamalan’s daughter Saleka as a pop star whose concert is surrounded by police looking to capture a serial killer.
Animals kept in zoos in ancient times were often kept there for later use in the arena as entertainment or for their entertainment value as exotica.[139]
[190] Globalisation and cultural imperialism are two of the cultural consequences of convergence.[202] Others include fandom and interactive storytelling as well as the way that single franchises are distributed through and affect a range of delivery methods.[203] The "greater diversity in the ways that signals may be received and packaged for the viewer, via terrestrial, satellite or cable television, and of course, via the Internet" also affects entertainment venues, such as sports stadia, which now need to be designed so that both live and remote audiences can interact in increasingly sophisticated ways – for example, audiences can "watch highlights, call up statistics", "order tickets and merchandise" and generally "tap into the stadium's resources at any time of the day or night".[182]
A five-screen cinema showing films set in Paris is the centrepiece of the city’s film archive. Created in 1988 to establish an audiovisual archive of the…
On the other hand, sometimes architecture is entertainment, while pretending to be functional. The tourism industry, for example, creates or renovates buildings as "attractions" that have either never been used or can never be used for their ostensible purpose. They are instead re-purposed to entertain visitors often by simulating cultural experiences. Buildings, history and sacred spaces are thus made into commodities for purchase. Such intentional tourist attractions divorce buildings from the past so that "the difference between historical authenticity and contemporary entertainment venues/theme parks becomes hard to define".
"[180] The Romans subsequently developed the stadium in an oval form known as a circus. In modern times, some of the grandest buildings for entertainment have brought fame to their cities as well as their designers. The Sydney Opera House, for example, is a World Heritage Site and The O₂ in London is an entertainment precinct that contains an indoor arena, a music club, a cinema and exhibition space. The Bayreuth Festspielhaus in Germany is a theatre designed and built for performances of one specific musical composition.
By the second half of the 20th century, developments in electronic media made possible the delivery of entertainment products to mass audiences across the globe. The technology enabled people to see, hear and participate in all the familiar forms – stories, theatre, music, dance – wherever they live.
” Dafoe and Plemons spoke with AP entertainment journalist Krysta Fauria about what sets Lanthimos apart from other directors and how they think about a movie’s mass appeal.
Michael Keaton says it would have been a “huge mistake” for his titular trickster ghost character to get significantly more screen time in “Beetlejuice Beetlejuice” than he did in the first film.
For example, composers Rimsky-Korsakov, Ravel and Szymanowski have each been inspired by the Scheherazade story and turned it into an orchestral work; director Pasolini made a film adaptation; and there is an innovative video game based on the tale. Stories may be told wordlessly, in music, dance or puppetry for example, such as in the Javanese tradition of wayang, in which the performance is accompanied by a gamelan orchestra or the similarly 九游娱乐投注网 traditional Punch and Judy show.
Entertainment also evolved into different forms and expressions as a result of social upheavals such as wars and revolutions.